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10 April 2021 . Sem categoria

les troyens review

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One never senses either the passion he feels for Dido or the call of duty to reach Italy, and his singing is tentative and often badly strained. Although I love Les Troyens and already have the Met DVD and the Susan Graham one, I bought this for DiDonato, truly a magnificent Didon. Visually it was a mixed bag for me. Les Troyens is probably his masterpiece and it is so truthful at every moment that Berlioz is never conventional; yet he achieves this while being truly classical, in the manner of Gluck. This Met revival, the first in nearly 10 years, comes almost 150 years after half the opera had its premiere in Paris and vindicates the indifference with which Berlioz's last major work was originally greeted. It is less than perfect, but it deserves a lot of credit for taking on such a large-scale opera in I imagine a short allocated time. Written in five acts, the opera was rejected for years before the Theatre Lyrique agreed to stage it, but only if the composer would divide it into two parts. There were many notable aspects to the performance of "Les Troyens" at the Metropolitan Opera House on Thursday night. Exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. Les Troyens is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Les Troyens, Abidjan. But he was an experienced Aeneas, having sung the role to acclaim last summer when Covent Garden introduced a new production.That was another instance of Mr. Hymel saving the day in “Les Troyens.” Ask Ann O about Royal Opera House. Hector BERLIOZ (1803-1869) Les Troyens, opera in five acts, Op. She sings it as if Berlioz wrote it for her. Here in his debut Met production, he displayed considerably more confidence and power as a replacement for Marcello Giordani. I have seen it every time that the Metropolitan Opera has presented it. And then there is this production of Les Troyens, one of Berlioz's masterpieces and quite possibly the quintessential grand opera. As Cassandra, Voigt is no less in top form, her voice rich and powerful, full of foreboding, yet resigned to her fate as well as that of Troy. But it's also a consequence of the decision to include every bar (or so it seems) of the fourth-act ballet, which, coming so soon after the Royal Hunt and Storm sequence, also choreographed by Andrew George, is too much of a good thing. Graham's voice is like crystal, luxuriant in coloring and texture, and always thrilling to hear. Classical review by Charlotte Gardner. Discover releases, reviews, track listings, recommendations, and more about Berlioz* - Vickers*, Veasey*, Lindholm*, Royal Opera House Covent Garden Orchestra* & Chorus*, Colin Davis* - Les Troyens at Discogs. The Met chorus shines throughout in an opera that spotlights choral music, and the entire production is stunning to watch, from the giant Trojan horse rolling across the stage to the final tableau of smoke from Dido's funeral pyre rising to the great hole in the roof of the Pantheon in Rome. And of all epic operas, Berlioz's monumental Les Troyens now stands in the first rank, thanks in large part to James Levine's championing of it at the Metropolitan Opera. 18 Les Troyens, H. 133a: Act III. And the rest of the cast is also excellent. Part 2, Les Troyens à Carthage and the only oddity the placement of the Royal Hunt and Storm after the love duet to open the second part of an opera, a practice often followed if the opera is to be performed over two evenings. Berlioz was called a 'genius without talent' by Mendelssohn, and while that assessment is clearly harsh, it is not without some merit. Berlioz worshipped Virgil and composed Les Troyens on an epic scale equal to his source material. Online, The Met has got rid of the intervals and got it down to 4 hours 20 minutes. Musically, it is resplendent, a huge success by a stellar cast under the leadership of Andrew Davis; conceptually, which is really to say visually, this "Troyens" - The Trojans - struggles to bear its own leaden weight." Discs for review may be sent to: Jonathan Woolf 76 Lushes Road Loughton Essex IG10 3QB United Kingdom Ph. The problem is also partly one of Berlioz's pacing, especially as McVicar resists temptations to invent extra business to quicken the dramatic pulse of the tableau-like sections. The general jubilation of the Trojans is muted by Cassandra, Priam's daughter, who keeps telling anyone who will listen that the horse spells doom, and they should all flee. The new production, directed by David McVicar and conducted by Antonio Pappano, is therefore a major event, presenting as much of a challenge to the company's resources as any other single work in the repertory. Dido's Carthage is a colourful, terracotta kingdom, in which a model of the city, like a north African Bekonscot, is the focal point; it's suspended over the stage to suggest the moon of the fourth act, and lies broken in half in the final one, when Aeneas and his retinue leave. There was the return of … You can read the full review where it was originally posted online. Les Troyens GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi Libretto by the composer, based on Virgil’s Aeneid Saturday, January 5, 2013, 12:00–5:00 pm Last time this season The production of Les Troyens was made possible by a generous gift from the Estate of Francis Goelet, Mr. and Mrs. Ezra K. 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